A work in constant progress (and occasional regress).
Birthplace:
Tel Aviv, Israel
Born:
June 5, 1973
A little about me, I grew up between Isreal and the US. Spending time between the city outside Tel Aviv in Tzamarot Ayalon and the vineyards of my grandparents in Kibbutz Yad HaShmona and Naperville outside of Chicago as well as Orlando, my mother's family is from Fresnillo, Zacatecas, Mexico as well so I'm I guess in hindsight from three worlds. I was the perpetual dreamer, songs and movie both caused me to create movies in my mind and after receiving a vintage 8mm Aurora 215 1xS8S Super 8 from my mother's father this changed my world and perspective for life. My thoughts, daydreams and focus became an obsession with movies. I even developed a crazy idea for a camera that could convert live action footage into animation. Fast forward 35 years I've become an international award winning producer, writer and filmmaker working behind the scenes start to finish in every aspect of the cinematic process has been integral in cultivating rich stories with compelling narratives and complex, relatable characters in vibrant fantasy with a dose of unique comical kitsch. I attended and graduated the prestigious Ma'Aleh School of Television, Film & Arts. Raised in both Israel and the United States with relationships in Mexico, Japan and Egypt. Some people refer to me as movie making innovator and try my best to be a business negotiator adept at navigating the challenging and often difficult multi-tier politics of the film industry always seeking to push the envelope proving that the little guy can hold his own with the big boys.
Art Direction:
2013 The A.R.K. Report
Associate Producer:
2008 Tokyo Gore Police
2013 The A.R.K. Report
2020 The Washing Machine
Co-Executive Producer:
2008 Tokyo Gore Police
2013 The A.R.K. Report
2018 Transit
2020 The Washing Machine
Co-Producer:
2008 Tokyo Gore Police
2013 009-1: The End of the Beginning
2013 The A.R.K. Report
2018 Transit
2020 The Washing Machine
Executive Producer:
2004 Cutie Honey
2007 Carved: The Slit-Mouthed Woman
2008 Tokyo Gore Police
2010 No Retreat, No Surrender
2013 009-1: The End of the Beginning
2013 The A.R.K. Report
2014 Khetet Jimmy
2016 Terra Formars
2018 Stolen Identity
2018 Transit
2019 Sadako
2020 The Washing Machine
2021 Mousa
Producer:
2004 Cutie Honey
2007 Carved: The Slit-Mouthed Woman
2008 Tokyo Gore Police
2010 Bayside Shakedown 3: Set the Guys Loose
2010 No Retreat, No Surrender
2010 Umizaru 3: The Last Message
2012 Bayside Shakedown The Final: The New Hope
2012 Brave Hearts: Umizaru
2013 009-1: The End of the Beginning
2013 The A.R.K. Report
2014 Khetet Jimmy
2016 Cutie Honey: Tears
2016 Terra Formars
2018 Stolen Identity
2018 Transit
2019 Sadako
2019 The Secret Men Club
2020 The Washing Machine
2021 Mousa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.