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Film Production

Producer:
2014  7 Years Later
2014  Ashes
2014  Counterpublicity
2014  Dear Lou Sullivan
2014  Evidence
2014  Selections from the Ektachrome Archive
2014  The Village
2016  Compulsive Practice
2017  About Face: The Evolution of a Black Producer
2017  Atlantic is a Sea of Bones
2017  DiAna's Hair Ego Remix
2017  Goodnight, Kia
2017  STONES & WATER WEIGHT
2018  Positive Women's Network - USA
2018  Sero Project
2018  Tacoma Action Collective
2018  VOCAL-NY
2018  Visual AIDS
2019  (eye, virus)
2019  Beat Goes On
2019  Chloe Dzubilo: There is a Transolution
2019  I Remember Dancing
2019  I'm Still Me
2019  Much handled things are always soft
2020  Female Disappearance Syndrome
2020  Finding Purpose
2020  I take care of myself/I’m careful
2020  Ministry of Health
2020  The Labyrinth 1.0
2020  They Called it Love, But Was it Love?
2020  This is Right: Zak, Life and After
2020  This is Right; Zak Life and After
2021  #Medstrike: Confronting the Non-Profit Industrial Complex
2021  I Am... a Long-Term AIDS Survivor
2021  In the Future
2021  Nobleza(s) de Sangre
2021  The Mersey Model
2021  Voices at the Gate
2021  滴水希望 (Hope Drops)
2022  Here We Are: Voices of Black Women Who Live with HIV
2022  Kiss of Life
2022  Lxs dxs bichudas
2022  Nuance
2022  Red Flags, a love letter
2022  The Yellow Ones
2022  Vertical Memory
2024  Ambivalence: On HIV & Luck
2024  Dear Kwong Chi
2024  HIV Fell in Love With Me
2024  LUCID NIGHTMARE
2024  Realms Remix
2024  The AIDS Club
2024  it's giving

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.