A work in constant progress (and occasional regress).
Birthplace:
Hamburg, Germany
Born:
January 1, 1964
Author:
2017 Ich werde nicht schweigen
Book:
2017 Ich werde nicht schweigen
2018 Wolfsland – Irrlichter
Screenplay:
2008 10 Sekunden
2017 Ich werde nicht schweigen
2018 Wolfsland – Irrlichter
Screenstory:
2008 10 Sekunden
2009 Auftrag Schutzengel
2017 Ich werde nicht schweigen
2018 Wolfsland – Irrlichter
Script:
2008 10 Sekunden
2009 Auftrag Schutzengel
2009 Böseckendorf - Die Nacht, in der ein Dorf verschwand
2017 Ich werde nicht schweigen
2018 Wolfsland – Irrlichter
Writer:
2000 Friends
2005 Steinschlag
2006 Die Tote vom Deich
2007 Hannah
2008 10 Sekunden
2009 Auftrag Schutzengel
2009 Böseckendorf - Die Nacht, in der ein Dorf verschwand
2009 Fräulein Stinnes fährt um die Welt
2011 Ein mörderisches Geschäft
2017 Ich werde nicht schweigen
2018 Wolfsland – Irrlichter
2019 Wolfsland - Das heilige Grab
2019 Wolfsland - Heimsuchung
2020 Wolfsland - Das Kind vom Finstertor
2020 Wolfsland - Kein entkommen
2021 Wolfsland - Böses Blut
2021 Wolfsland - Die traurigen Schwestern
2022 The Hippocratic Silence
2022 Wolfsland - 20 Stunden
2022 Wolfsland - Das dreckige Dutzend
2023 Wolfsland - Das schwarze Herz
2023 Wolfsland - Tote schlafen schlecht
???? Gier und Angst
Author:
2016 Morgen hör ich auf
Creator:
2016 Morgen hör ich auf
Writer:
1970 Scene of the Crime
1995 Wilsberg
2007 Dr. Psycho
2016 Morgen hör ich auf
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.