A work in constant progress (and occasional regress).
Alias:
Daniel Rubinger Leite
Birthplace:
Belo Horizonte, Minas Gerais, Brazil
Born:
December 27, 2003
Director and editor. Currently studying Image and Sound at UFSCar, São Carlos, Brazil.
Animation:
2024 Despertar
Assistant Editor:
2024 Despertar
2025 Júbilo
???? Petricor
Camera Operator:
2023 Cut!
2024 Despertar
2025 Júbilo
???? Petricor
Choreographer:
2023 Cut!
2024 Despertar
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Director:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Director of Photography:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Editor:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Fight Choreographer:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Producer:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Production Design:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
???? Petricor
Sound Assistant:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Sound Designer:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Sound Editor:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Sound Mixer:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Special Effects Makeup Artist:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Visual Effects:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Writer:
2023 Cut!
2024 Despertar
2024 Remnant Frames: Tony and the Future Paralysis
2024 [Untitled Project]
2025 Júbilo
2025 Sweat, Salt and Blood
2025 The Music of Erich Zann
???? Petricor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.