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Marshall Pruett

Birthplace:
Northern California, USA

Biography from TheMovieDB

Marshall Pruett is an esteemed American motorsports journalist, photographer, and podcaster with a career spanning over three decades. He began his journey in auto racing in 1986 as a mechanic, engineer, and team manager, working across various series, including CART, IRL IndyCar, IMSA, World Challenge, Indy Lights, Formula Atlantic, Pro Mazda, and FF2000.  Transitioning to journalism in 2006, Pruett has become a prominent figure in motorsports media, contributing to outlets such as RACER magazine and Road & Track. His work encompasses in-depth reporting, analysis, and photography, covering open-wheel and sports car racing. In May 2016, Pruett launched the "Marshall Pruett Podcast," featuring interviews with drivers, engineers, and industry insiders, as well as discussions on racing history and current events. The podcast has garnered a substantial following, reaching over two million downloads by November 2018. Pruett's extensive experience and passion for motorsports have made him a respected voice in the racing community, known for his insightful commentary and dedication to the sport.

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Film Performances

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Film Production

Director:
2017  Senna: The Test

Writer:
2017  Senna: The Test

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.