A work in constant progress (and occasional regress).
Birthplace:
Daugavpils, Latvian SSR, USSR, (now Latvia)
the composer and creator of numerous highly awarded international multidisciplinary productions, with commissioners and partners extending far beyond the concert hall to major international bodies such as the European Union, Hong Kong SAR, the United States Department of State, and others. His creative output, encompassing ambitious, socially relevant works for the stage, synthesizes virtuosic musical content with cutting-edge technology; he has pioneered the use of large-scale holography, immersive opera environments, and interactive digital media in classical music. “High drama” and “intense emotion” (BBC), “magnificent and compelling” (OPERA magazine), “the most stunning and divisive” (Business Times), “the most radical and ambitious” (5:4), “animalistic” (Eesti Kultuurileht “SIRP”), “from haunting and atmospheric to plain brutal” (BBC Music Magazine), “a breakthrough in public art” (ReNew Vision), “at once, ingenious, hypnotic, brave, and beautiful” (Festival Internazionale A.F. Lavagnino)- his work exists at “the convergence of major current issues and supreme beauty” (Gulbenkian). He has been recognized with prominent fellowships from the John Simon Guggenheim Foundation (2018) and the US Department of State’s Fulbright Program (2010-11), awarded the 2017 Royal Philharmonic Society Composition Prize, leading to a season-long residency at the Southbank Centre and world premiere with the Philharmonia Orchestra at Royal Festival Hall, and appointed the sole Artist-in-Residence of the 2018 Helsinki Festival, Finland’s biggest yearly cultural event. In 2021, he took up the position of Artist-in-Residence at the Manchester International Festival. His work has been prominently featured on major news and media outlets worldwide: CNN, BBC World TV, Bloomberg, National Geographic, the New York Times, Radio France, Deutsche Welle, and the South China Morning Post are among countless others that have broadcast and reported on his projects.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.