A work in constant progress (and occasional regress).
Cinematography:
1977 Ostbahnhof
1984 The House, 1984
1985 The People's Police Force, 1985
1988 Mit Leib und Seele
1989 Die Beteiligten
1990 Erster Verlust
1993 The Cloud Sheep
1998 Barluschke
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Das Ministerium für Staatssicherheit - Alltag einer Behörde
2002 Vaterland
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2008 Sag mir, wo die Schönen sind
2009 Material
Director of Photography:
1977 Ostbahnhof
1984 The House, 1984
1985 Die Gänse von Bützow
1985 The People's Police Force, 1985
1986 Driving School
1987 Jan Oppen
1988 Mit Leib und Seele
1989 Die Beteiligten
1990 Erster Verlust
1990 Schpergsche Lichtmess - ein Männerfest
1993 The Cloud Sheep
1998 Barluschke
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Das Ministerium für Staatssicherheit - Alltag einer Behörde
2002 Vaterland
2005 Endlich Urlaub!
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2008 Sag mir, wo die Schönen sind
2009 Material
Writer:
1977 Ostbahnhof
1984 The House, 1984
1985 Die Gänse von Bützow
1985 The People's Police Force, 1985
1986 Driving School
1987 Jan Oppen
1988 Mit Leib und Seele
1989 Die Beteiligten
1990 Erster Verlust
1990 Schpergsche Lichtmess - ein Männerfest
1993 The Cloud Sheep
1998 Barluschke
2000 Neustadt (Stau – Der Stand der Dinge)
2002 Das Ministerium für Staatssicherheit - Alltag einer Behörde
2002 Vaterland
2005 Endlich Urlaub!
2005 Mein Bruder - We'll Meet Again
2006 Im Glück (Neger)
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2008 Sag mir, wo die Schönen sind
2009 Material
Director of Photography:
1971 Polizeiruf 110
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.