A work in constant progress (and occasional regress).
After graduating with a degree in Mechanical Engineering at Université Laval in Québec City, Michel Lamothe studied Communication Arts at Loyola College (Montreal). Since, he pursues a dual career in photography and film. Michel Lamothe has exhibited work in Canada and Europe and his films have been shown in several international festivals. In 2000 was published an artist monograph devoted to his photographic work entitled Même les cigales dormaient. About Michel Lamothe’s work, Philippe Dubois, author of l'Acte photographique (The Photographic Act) writes, « Michel Lamothe has the freedom of a filmmaker in photography as he has the freedom of a photographer in film. He inhabits a vital space and he breathes life into the images that exist between these two worlds. » Filmography John Max, A Portrait (2010 / 94 min) Plastic Dream (2007 / 3 min) Étude de nuages (2007 / 20 min) Qui hésite se perd (1990 / 54 min) 6237 Christophe-Colomb (1990 / 6 min) Face à la caméra (1984 / 10 min) Robert Frank à Dazibao (1983 / 60 min) Une bien belle ville (1975 / 20 min) (collectif) 286 Côte des anges sud (1974 / 17 min) (co-director Jeannine Gagné) Mascara et rouge à lèvres (1973 / 13 min) (co-director Jeannine Gagné) Sans faire d'histoire (1972 / 10 min) (co-director Jeannine Gagné)
Director:
1973 Sans faire d'histoire
2010 John Max, A Portrait
Original Music Composer:
1973 Sans faire d'histoire
1987 Grelots rouges, sanglots bleus
2010 John Max, A Portrait
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.