A work in constant progress (and occasional regress).
René Schack began his studies at the École Internationale de Mimodrame de Paris Marcel Marceau and at the Conservatoire de Danse in Paris. After working as a mime and actor in France, Italy and Belgium, among other places, he completed his studies at the Hochschule für Musik und Theater in Hanover. This was followed by permanent engagements at the state theaters in Hanover and Braunschweig, the Schnawwl - the children's and youth theater of the Nationaltheater Mannheim, the state theater in Saarbrücken and the state theater in Oldenburg. René Schack worked for several years as a lecturer for acting, physical theater and pantomime at the Summer Academy in Altusried and at the Freie Kunst-Studienstätte Ottersberg in the drama therapy course. During his twenty-five years of acting in theaters, he often led youth theater groups and gave seminars on acting and improvisation for amateur theater groups, including for the Lower German Stage Association in Lower Saxony and the VBAT in Bavaria. He has also choreographed with the dance department of the Nationaltheater Mannheim and choreographed the opera chorus at the Staatstheater Saarbrücken. As a director, he has also staged numerous plays in the region with amateurs. For example, with the open-air stage in Lohne and the Low German Theater in Neuenburg. René Schack is also known for his solo plays such as “Die kleine Zoogeschichte” (The Little Zoo Story), which he himself has successfully performed for 20 years and which numerous theaters have restaged, as well as for his Wilhelm Busch evening. René Schack has been working with the independent ensemble theater hof/19 for a number of years, including in productions that combine acting and dance, contemporary live music and video projection.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.