A work in constant progress (and occasional regress).
Sound:
2001 Brazil's Maria Bethânia
2015 Eva Doesn't Sleep
Sound Designer:
2001 Brazil's Maria Bethânia
2007 The Diving Bell and the Butterfly
2015 Eva Doesn't Sleep
2019 Cunningham
Sound Editor:
2001 Brazil's Maria Bethânia
2001 How I Killed My Father
2002 Amen.
2004 Changing Times
2007 The Diving Bell and the Butterfly
2009 A Prophet
2012 An Open Heart
2015 Eva Doesn't Sleep
2016 The Innocents
2019 Cunningham
2024 Saint-Exupéry
Sound Mixer:
1989 Cela s'appelle l'amour
2001 Brazil's Maria Bethânia
2001 How I Killed My Father
2002 Amen.
2004 Changing Times
2007 The Diving Bell and the Butterfly
2009 A Prophet
2012 An Open Heart
2015 Eva Doesn't Sleep
2016 The Innocents
2019 Cunningham
2024 Saint-Exupéry
Supervising Sound Editor:
1989 Cela s'appelle l'amour
2001 Brazil's Maria Bethânia
2001 How I Killed My Father
2002 Amen.
2004 Changing Times
2007 The Diving Bell and the Butterfly
2009 A Prophet
2012 An Open Heart
2013 Adore
2014 Gemma Bovery
2015 Eva Doesn't Sleep
2016 The Innocents
2019 Cunningham
2024 Saint-Exupéry
Sound Designer:
2022 The King’s Favorite
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.