A work in constant progress (and occasional regress).
Born:
July 13, 2003
Director Vu Dinh Cuong was born in 2003 in Hanoi. After graduating from university with a major in Information Technology, he decided to pursue his passion for Cinema. In 2023, he passed the entrance exam to Ho Chi Minh City University of Theatre and Cinema, majoring in Film and Television Directing. Because he approaches Cinema from a fantasy perspective, away from the cruel life outside. Therefore, he always tries to take his mind and the audience's mind far away on the character's journey, regardless of the inherent reality.
Co-Producer:
2025 The Cloud Does Not Exist
Director:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Director of Photography:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Editor:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Producer:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Production Design:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Writer:
2025 The Cloud Does Not Exist
???? Black & White or (Inside A Film)
???? I Saw The Clouds
???? Lullaby Remains In My Soul
???? Memories Of The Death
???? Thirsty
???? We After The Summer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.