A work in constant progress (and occasional regress).
Birthplace:
Marylebone, London, England, UK
Born:
November 1, 1962
Elinor began her career at the BBC where she script edited a number of single TV films and moved on to produce LOVED UP, IN YOUR DREAMS, KILLING ME SOFTLY, THE PERFECT BLUE and FACE. In 1998 Elinor joined FilmFour as Deputy Head of Production, were she was commissioner and executive producer of more than a dozen features including EAST IS EAST, GANGSTER NO 1, LATE NIGHT SHOPPING, CHARLOTTE GRAY, JUMP TOMORROW, and THE WARRIOR, SENNA & AMY director Asif Kapadias’ first feature. In 2005, Elinor joined Darlow Smithson as Head of Film, producing theatrical documentaries and dramas including IMPACT EARTH, CLAPHAM JUNCTION, THE DIARY OF ANNE FRANK and U BE DEAD. Whilst at Darlow, Elinor also executive produced the award-winning documentary THRILLER IN MANILLA and MICRO MEN. Elinor also has numerous credits as an independent producer and series producer including a series of short films under the Coming Up umbrella, for Channel 4, a single Sherlock Holmes drama for BBC1 starring Rupert Everett and Ian Hart, series four of SECRET DIARY OF A CALL GIRL for ITV2, WHITE HEAT for BBC 2 and series two of MY MAD FAT DIARY for Channel 4. Before joining Cove Pictures as Head of Drama, Elinor worked at Scott Free as an Executive Producer, developing projects for their Television slate. In 2018 Elinor Series Produced the 2nd season of KILLING EVE (which was nominated for 6 Emmy awards). In 2019 she produced a 90 minute drama for BBC 2, RESPONSIBLE CHILD, which won an International Emmy. From 2020 -2022 Elinor was an Executive Producer at See Saw Films. From July 2022-Oct 2023 Elinor is Executive Producing DOMINO DAY for Dancing Ledge Productions/ BBC 3
Associate Producer:
2003 The Actors
Co-Producer:
2001 Lucky Break
2001 The Warrior
2002 Crush
2002 Miranda
2003 The Actors
Executive Producer:
2001 Lucky Break
2001 The Warrior
2002 Crush
2002 Miranda
2003 The Actors
2008 Futureshock: Comet
2019 The Drifters
Producer:
1995 Loved Up
1997 Face
1997 In Your Dreams
1998 The Perfect Blue
2001 Charlotte Gray
2001 Late Night Shopping
2001 Lucky Break
2001 The Warrior
2002 Crush
2002 Miranda
2003 The Actors
2004 Sherlock Holmes and the Case of the Silk Stocking
2008 Futureshock: Comet
2010 I Don't Care
2012 Boys On Film 8: Cruel Britannia
2019 Responsible Child
2019 The Drifters
Script Editor:
1995 Loved Up
1995 The Englishman Who Went Up a Hill But Came Down a Mountain
1997 Face
1997 In Your Dreams
1998 The Perfect Blue
2001 Charlotte Gray
2001 Late Night Shopping
2001 Lucky Break
2001 The Warrior
2002 Crush
2002 Miranda
2003 The Actors
2004 Sherlock Holmes and the Case of the Silk Stocking
2008 Futureshock: Comet
2010 I Don't Care
2012 Boys On Film 8: Cruel Britannia
2019 Responsible Child
2019 The Drifters
Executive Producer:
2024 Domino Day
Producer:
2009 The Diary of Anne Frank
2012 White Heat
2018 Killing Eve
2024 Domino Day
Writer:
2009 The Diary of Anne Frank
2012 White Heat
2018 Killing Eve
2024 Domino Day
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.