A work in constant progress (and occasional regress).
Sarah Nicolazzo is a dynamic stage and screen actor who brings a sensitivity and curiosity to her work. She is a graduate of the Full-time program at 16th Street Actors Studio, The Groundlings School (Core Improv Track) and holds a Bachelor of Creative Arts from The University of Melbourne (VCA). Sarah is one of the recipients of the ABC Fresh Start Initiative, which allowed her to write and perform her original Wailing Sarah comedic characters in a digital series pilot. Sarah’s onset experience in Film and TV includes LaBrea, Shantaram, The Followers and the upcoming short film SeVen from Iris Arc Pictures (Godless: The Eastfield Exorcism). Her notable stage credits include: Savage in Limbo, Sister Cities (Q44 Theatre Company), Coriolanus (Heartstring), Summerfolk (Burning House Theatre) & The Kids Are Alright (Little Ones Theatre). From 2017 to 2021 she produced and performed in a range of digital content for outlets such as Amazon Prime, Youtube, Personal Play Argentina, SeekaTv & Flixxo including the award-winning web series Maddalena and The Holiest One. In 2022 she completed a series of AFTRS directing courses with Amen Palangi (Tennessine) and Elissa Down (The Black Balloon). In 2024 Sarah made her directorial debut with the short film Run, Baby which premiered at MonsterFest. Sarah is deeply committed to representation and inclusion. She is drawn to female-driven stories that explore the psychological underpinnings of trauma, particularly through the experience of first and second-generation immigrants.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.