A work in constant progress (and occasional regress).
Alias:
Edward S. Verreaux
Edward Verreaux
Art Direction:
1990 The Rookie
1992 Honey, I Blew Up the Kid
1992 The Distinguished Gentleman
1994 Blue Chips
1995 Casper
1995 How to Make an American Quilt
Creature Design:
1983 Twilight Zone: The Movie
1990 The Rookie
1992 Honey, I Blew Up the Kid
1992 The Distinguished Gentleman
1994 Blue Chips
1995 Casper
1995 How to Make an American Quilt
Production Design:
1983 Twilight Zone: The Movie
1990 The Rookie
1992 Honey, I Blew Up the Kid
1992 The Distinguished Gentleman
1994 Blue Chips
1995 Casper
1995 How to Make an American Quilt
1997 Contact
2000 Mission to Mars
2001 Jurassic Park III
2002 The Scorpion King
2004 Starsky & Hutch
2006 Monster House
2006 X-Men: The Last Stand
2007 Rush Hour 3
2009 G.I. Joe: The Rise of Cobra
2012 Looper
2014 The Giver
2015 Jurassic World
2017 Megan Leavey
Production Illustrator:
1981 Raiders of the Lost Ark
1983 Twilight Zone: The Movie
1990 The Rookie
1992 Honey, I Blew Up the Kid
1992 The Distinguished Gentleman
1994 Blue Chips
1995 Casper
1995 How to Make an American Quilt
1997 Contact
2000 Mission to Mars
2001 Jurassic Park III
2002 The Scorpion King
2004 Starsky & Hutch
2006 Monster House
2006 X-Men: The Last Stand
2007 Rush Hour 3
2009 G.I. Joe: The Rise of Cobra
2012 Looper
2014 The Giver
2015 Jurassic World
2017 Megan Leavey
Set Designer:
1981 Raiders of the Lost Ark
1983 Twilight Zone: The Movie
1988 Twins
1990 The Rookie
1992 Honey, I Blew Up the Kid
1992 The Distinguished Gentleman
1994 Blue Chips
1995 Casper
1995 How to Make an American Quilt
1997 Contact
2000 Mission to Mars
2001 Jurassic Park III
2002 The Scorpion King
2004 Starsky & Hutch
2006 Monster House
2006 X-Men: The Last Stand
2007 Rush Hour 3
2009 G.I. Joe: The Rise of Cobra
2012 Looper
2014 The Giver
2015 Jurassic World
2017 Megan Leavey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.