A work in constant progress (and occasional regress).
Birthplace:
Mexico City, México
Born:
December 3, 1994
Karina is a composer, sound designer and music producer with a passion for storytelling. Through her narrative-driven work, Karina explores the universe of sounds to create music that resonates with her listeners. She has participated in numerous projects in North America and Europe, including feature films like Apapacho, Eagle Knight, Isle of Dolls, Aztech the Movie, Chateau Vato; multiple award-winning short films, advertising, podcasts, albums and singles. Her music is inspired by sonic palettes that include both the orchestral and the electronic realms, drawing from all kinds of sonic influences for her music – from Alexandre Desplat, to Arturo Márquez and Subtronics. Her mentors include Dr. Andy Hill, ex vice-president of music production at Disney; Conrad Pope, orchestrator for John Williams; and Rosino Serrano, a two-time Latin Grammy Nominee for best arrangement. Karina has received recognition for her work in competitions such as Score Live London, where she got the second runner-up award and the Music Cosmos Composer competition, where she was a finalist. In 2022, she was awarded a scholarship sponsored by Jan A.P. Kaczmarek, Academy Award winner for best score to study at the Film Scoring Academy of Europe, where she formalized her studies in the film music art and craft. She was also a part of Berlinale Talents in its Guadalajara Campus in 2020.
Music:
2019 Bad Weed
2020 Aztech
2020 Captain Blackbeard
2022 Medusa
2024 #Rats
2024 A Banishment, A Refuge
???? Coincidir
Sound Designer:
2019 Bad Weed
2020 Aniela
2020 Aztech
2020 Captain Blackbeard
2021 Tenoch
2022 Medusa
2024 #Rats
2024 A Banishment, A Refuge
???? Coincidir
Sound Recordist:
2019 Bad Weed
2020 Aniela
2020 Aztech
2020 Captain Blackbeard
2020 Play God
2021 Tenoch
2022 Medusa
2024 #Rats
2024 A Banishment, A Refuge
???? Coincidir
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.