A work in constant progress (and occasional regress).
Joshua David Matthews is an award-winning filmmaker born in Alabama, educated in Georgia, and living in Texas. Joshua's thesis film, "Dawn", has screened at film festivals across the globe, including in LA, the Cannes Short Film Corner, and the prestigious CAMERIMAGE in Poland. After earning his MFA, Joshua went into directing and producing documentaries, and was commissioned to direct "Elias", a short documentary on Dr. Elias Ghanem - the "Doctor to the Stars". In 2018, he was permitted to follow and document Operation Identification, a group of forensic anthropologists who identify and repatriate the remains of migrants who pass away while crossing the border. As a writer, Joshua has earned numerous placements in screenwriting competitions. His short screenplay, "Boneseed", won Third Place for Best Unproduced Short Screenplay at FilmQuest (2022), was a Finalist in ScreenCraft's Short Screenplay Competition (2022), a Semi-Finalist in both the HollyShorts Film Festival (2022) and Killer Shorts Horror Screenplay Competition (2020), and was a Quarterfinalist in both Filmmatic's Short Screenplay Competition (2021) and Short Horror Competition (2021). "Last Mile", a feature-length horror/thriller, was a Quarterfinalist in The Script Lab's Screenplay Competition. His short screenplay, "Memories of a House", was a Killer Shorts Semifinalist and HorrOrigins Quarterfinalist in 2023.
Assistant Director:
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Co-Producer:
2024 It Draws Closer
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Director:
2012 Dawn
2024 It Draws Closer
???? To Hell With You
Producer:
2012 Dawn
2024 It Draws Closer
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Screenplay:
2012 Dawn
2024 It Draws Closer
???? To Hell With You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.