A work in constant progress (and occasional regress).
Alias:
Parzi
Birthplace:
Dubai, United Arab Emirates
Born:
March 30, 2002
Parzival Ortiz is an award-winning writer and director based in Dubai. Born and raised in Dubai, he discovered his love for cinema early and pursued filmmaking right after high school. Over the last five years, Parzi has worked on 30+ short films, music videos, and documentaries, many of which have screened and won awards at festivals worldwide. His own shorts, Donuts (winning 10+ festivals), Reflection, and Paranoid Android, explore human fragility and surreal tension. Parzi loves collaborating with his partner, actress-producer Nyxophine Ortiz. The two met on Donuts, where he starred as the lead, and have been creating together ever since. Nyx also helped produce Reflection and went on to win the 2nd place at Film Society DXB. Parzi is a graduate of Middlesex University Dubai’s film program, currently developing his debut feature film, adapted from a theatre play.
Director:
2021 The Sin
2024 Donuts
2025 Reflection
???? Paranoid Android
Director of Photography:
2021 The Sin
2024 Donuts
2025 Reflection
???? Paranoid Android
Editor:
2021 The Sin
2024 Donuts
2025 Reflection
???? Paranoid Android
First Assistant Director:
2021 The Sin
2024 Donuts
2025 Reflection
???? Paranoid Android
???? Sage
Second Assistant Camera:
2021 The Sin
2024 Donuts
2025 Reflection
???? Paranoid Android
???? Sage
???? The Guest Room
Second Assistant Director:
2021 The Sin
2022 Home
2024 Donuts
2025 Reflection
???? Epilogue
???? Paranoid Android
???? Sage
???? The Guest Room
Writer:
2021 The Sin
2022 Home
2024 Donuts
2025 Reflection
???? Epilogue
???? Paranoid Android
???? Sage
???? The Guest Room
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.