Maya Simone

Maya Simone is an award-winning filmmaker in her final year at the University of North Carolina at Greensboro majoring in Media Studies and minoring in African American and African Diaspora Studies. At UNC Greensboro, Maya has completed Global Honors under the Lloyd International Honors College. She is a Student Engagement and Belonging Intern at the Weatherspoon Art Museum, and has served as Studio Manager of Carmichael Studios, a student-run production company, for two years. Maya is currently a Lloyd International Honors College Pubantz Artist-in-Residence Program fellow, where she was awarded a grant to write and direct Rosa’s Dilemma, a romantic comedy short film. The film will premiere at the Pubantz Artist-in-Residence Showcase in April 2025.  In 2023 Maya was accepted into the Gotham Film and Media Institute's Gotham EDU Film And Media Career Development Program where she received the Sidney Poitier Initiative Scholarship that covered the full tuition of the program. Later that year, she became an HBCU 20x20 | The Application + Martian Blueberry Writing Fellow, a program led by animation veteran Carl Jones, renowned for his work on The Boondocks and Black Dynamite.  In her narrative films, Maya aims to create the kind of stories her younger self longed to see growing up, while exploring genres such as romantic comedies and surrealism in the process. In Maya's documentaries, she hopes to amplify voices of underrepresented communities, with a focus on stories that reflect the Black Diaspora.

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Assistant Director:
2024  The Final Apostle

Director:
2024  The Final Apostle
2025  Rosa’s Dilemma

Executive Co-Producer:
2024  Hyperfixation
2024  The Final Apostle
2025  Rosa’s Dilemma

Executive Producer:
2024  Hyperfixation
2024  The Final Apostle
2025  Heard
2025  Rosa’s Dilemma

First Assistant "A" Camera:
2024  Hyperfixation
2024  The Final Apostle
2025  Heard
2025  Rosa’s Dilemma

Story:
2024  Hyperfixation
2024  Mouseshrooms
2024  The Final Apostle
2025  Heard
2025  Rosa’s Dilemma

Title Designer:
2024  Hyperfixation
2024  Mouseshrooms
2024  The Final Apostle
2025  Heard
2025  Rosa’s Dilemma

Writer:
2024  Hyperfixation
2024  Mouseshrooms
2024  The Final Apostle
2025  Heard
2025  Rosa’s Dilemma

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.