Graeme Mathieson

Birthplace:
Toronto, Ontario, Canada

An award-winning DGC filmmaker, Graeme has been shaped by his Jamaican and Scottish roots, growing up immersed in diverse cultures that ignited his curiosity and deepened his empathy for people's stories. This foundation has become the driving force behind his work.  His filmmaking journey has taken him across the globe, collaborating with notable figures such as Ben Johnson, Leroy Sibbles, Nana McLean, Jagmeet Singh, and Johnny Osbourne. Passionate about creating ethical spaces for storytelling, Graeme is dedicated to exploring sensitive subjects and providing underrepresented communities with a platform to share their histories.  His recent work includes Play It Loud! How Toronto Got Soul, which he directed and co-wrote, and was released on TVO in 2025, as well as the award-winning Sounds & Pressure: Reggae in a Foreign Land, a documentary anthology series he directed and co-wrote. Funded by the National Film Board of Canada, Sounds & Pressure was released in 2024 and explores the impact of reggae music in diasporic communities.  He is also the co-founder of Bonfire Originals, a production company committed to amplifying untold stories and marginalized voices through powerful visual storytelling.  Beyond filmmaking, Graeme is known as DJ Gramera, a vinyl enthusiast and longtime host of StolenSouls, a community radio show he led for over 15 years. Whether through film or music, he is driven by a love for authentic, culture-rich stories that deserve to be heard.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.