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Amir Zargara

Birthplace:
Iran

Biography from TheMovieDB

Amir Zargara, an Iranian-Canadian (BIPOC) writer, director, and producer, offers a unique perspective shaped by the cultural tapestry of Iran and Canada. His journey, marked by the resilience of an immigrant and the challenges of living with a stutter, profoundly influences his approach to storytelling.  Amir embarked on his filmmaking journey with "Become the Wounded" in 2021. He has since produced a feature film, multiple short films, commercials, music videos, and documentaries. His work has garnered 30 awards and been featured in over 100 film festivals, including Oscar-qualifying events such as Austin, Calgary, Santa Barbara, Raindance, Rhode Island, Tirana, Nashville, HollyShorts, Edmonton, and BronzeLens, among others.  Central to Amir's philosophy is a commitment to the inherent humanity in all characters. His films explore the moral complexities individuals face, emphasizing the nuanced shades of human nature and advocating empathy over judgment. This perspective mirrors his life experiences, blending diverse cultures with personal challenges.  Attached an Oscar-nominated actor, Recommended/Promoted by The Black List, Top 1% of Coverfly’s Redlist, Berlinale EFM Fiction Toolbox Program 2024, Canadian Film Centre’s (CFC) Director’s lab 2024 Shortlist, Young Director Award (YDA) 2024 - Silver Screen Award, distributed by Mongrel, The Criterion Channel, CBC, Bell, and BFI.

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Film Production

Casting:
2024  Ballerina Boy

Director:
2024  A Good Day Will Come
2024  Ballerina Boy

Producer:
2024  A Good Day Will Come
2024  Ballerina Boy

Writer:
2024  A Good Day Will Come
2024  Ballerina Boy

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.