A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois, USA
Born:
June 25, 1883
Died:
October 20, 1935
Arthur Robison was a German film director and screenwriter of American origin, recognized for his contributions to German Expressionist cinema. He directed 20 films between 1916 and 1935, with his most notable work being Warning Shadows (Schatten – Eine nächtliche Halluzination, 1923), a silent film celebrated for its innovative use of light and shadow to convey psychological tension. Robison's films often delved into the human psyche, utilizing visual storytelling to explore complex emotions.
Director:
1917 A Night of Horror
1923 Between Evening and Morning
1923 Warning Shadows
1925 Pietro der Korsar
1926 Manon Lescaut
1927 The Last Waltz
1928 Looping the Loop
1929 The Informer
1931 Jenny Lind
1931 Let Us Be Gay
1931 The single father
1932 When She's Pretty
1933 A Prince's Young Love
1934 Prince Woronzeff
1934 Tambour battant
1935 Le secret des Woronzeff
1935 Les époux célibataires
1935 Mach mich glücklich
1935 The Student of Prague
Screenplay:
1917 A Night of Horror
1923 Between Evening and Morning
1923 Warning Shadows
1925 Pietro der Korsar
1926 Manon Lescaut
1927 The Last Waltz
1928 Looping the Loop
1929 The Informer
1931 Jenny Lind
1931 Let Us Be Gay
1931 The single father
1932 When She's Pretty
1933 A Prince's Young Love
1934 Prince Woronzeff
1934 Tambour battant
1935 Le secret des Woronzeff
1935 Les époux célibataires
1935 Mach mich glücklich
1935 The Student of Prague
Writer:
1917 A Night of Horror
1922 What Belongs to Darkness
1923 Between Evening and Morning
1923 Warning Shadows
1925 Pietro der Korsar
1926 Manon Lescaut
1927 The Last Waltz
1928 Looping the Loop
1929 The Informer
1931 Jenny Lind
1931 Let Us Be Gay
1931 The single father
1932 When She's Pretty
1933 A Prince's Young Love
1934 Prince Woronzeff
1934 Tambour battant
1935 Le secret des Woronzeff
1935 Les époux célibataires
1935 Mach mich glücklich
1935 The Student of Prague
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.