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Luca Bueno (b. 2001)

Birthplace:
Brazil

Born:
March 1, 2001

Biography from TheMovieDB

Luca Bueno is a Brazilian-born director, producer, and writer with a multicultural background, having grown up in South America and later on moved to France, and the United States.  At just 15 years old, Luca became one of the youngest credited crew members in the Brazilian film industry when he worked as an intern-director on the feature film The Dreamseller (2016), distributed by Universal Pictures and now available on Netflix worldwide.  Luca has since expanded his filmography as a director, writer, and producer for various independent projects, where he took on responsibilities for both creative direction and distribution. His directing credits include Bodies (2024) Three (2020) and Luna (2022), the latter earning him several festival awards and recognition for his directorial achievements.

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Additional information:

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Film Production

Director:
2020  Three
2021  Breakout: A Journey to the Gold
2022  Luna
????  Bodies
????  Skyward

Intern:
2016  The Dreamseller
2020  Three
2021  Breakout: A Journey to the Gold
2022  Luna
????  Bodies
????  Skyward

Writer:
2016  The Dreamseller
2020  Three
2021  Breakout: A Journey to the Gold
2022  Luna
????  Bodies
????  Skyward

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.