A work in constant progress (and occasional regress).
Birthplace:
Rome, Lazio, Italy
Born:
July 19, 1911
Died:
July 6, 2002
Camera Operator:
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
Camera Supervisor:
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1953 El Curioso Impertinente
Cinematography:
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1953 El Curioso Impertinente
1963 The Dead at the Phone
Director:
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1953 El Curioso Impertinente
1954 É Proibido Beijar
1963 The Dead at the Phone
Director of Photography:
1939 Lo vedi come sei...lo vedi come sei?
1939 Montevergine
1939 Terra di nessuno
1940 Il capitano degli ussari
1940 La danza dei milioni
1940 Validità giorni dieci
1941 Brute Force
1941 I mariti
1942 La guardia del corpo
1943 Il fidanzato di mia moglie
1943 Mater dolorosa
1943 Totò nella fossa dei leoni
1946 Desire
1948 Guarany
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1949 Iracema
1949 O Caçula do Barulho
1950 Somos Dois
1952 Sand
1953 El Curioso Impertinente
1953 Uma Pulga na Balança
1954 É Proibido Beijar
1957 Rebelião em Vila Rica
1959 O Preço da Vitória
1960 Dona Violante Miranda
1961 Virou Bagunça
1963 The Dead at the Phone
Editor:
1939 Lo vedi come sei...lo vedi come sei?
1939 Montevergine
1939 Terra di nessuno
1940 Il capitano degli ussari
1940 La danza dei milioni
1940 Validità giorni dieci
1941 Brute Force
1941 I mariti
1942 La guardia del corpo
1943 Il fidanzato di mia moglie
1943 Mater dolorosa
1943 Totò nella fossa dei leoni
1946 Desire
1948 Guarany
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1949 Iracema
1949 O Caçula do Barulho
1950 Somos Dois
1952 Sand
1953 El Curioso Impertinente
1953 Uma Pulga na Balança
1954 É Proibido Beijar
1957 Rebelião em Vila Rica
1959 O Preço da Vitória
1960 Dona Violante Miranda
1961 Virou Bagunça
1963 The Dead at the Phone
Production Manager:
1939 Lo vedi come sei...lo vedi come sei?
1939 Montevergine
1939 Terra di nessuno
1940 Il capitano degli ussari
1940 La danza dei milioni
1940 Validità giorni dieci
1941 Brute Force
1941 I mariti
1942 La guardia del corpo
1943 Il fidanzato di mia moglie
1943 Mater dolorosa
1943 Totò nella fossa dei leoni
1946 Desire
1946 Paisan
1948 Guarany
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1949 Iracema
1949 O Caçula do Barulho
1950 Somos Dois
1952 Sand
1953 El Curioso Impertinente
1953 Uma Pulga na Balança
1954 É Proibido Beijar
1957 Rebelião em Vila Rica
1959 O Preço da Vitória
1960 Dona Violante Miranda
1961 Virou Bagunça
1963 The Dead at the Phone
Sound:
1939 Lo vedi come sei...lo vedi come sei?
1939 Montevergine
1939 Terra di nessuno
1940 Il capitano degli ussari
1940 La danza dei milioni
1940 Validità giorni dieci
1941 Brute Force
1941 I mariti
1942 La guardia del corpo
1943 Il fidanzato di mia moglie
1943 Mater dolorosa
1943 Totò nella fossa dei leoni
1946 Desire
1946 Paisan
1948 Guarany
1948 Les Misérables
1948 Les Misérables - Storm Over Paris
1949 Iracema
1949 O Caçula do Barulho
1950 Somos Dois
1952 Sand
1953 El Curioso Impertinente
1953 Uma Pulga na Balança
1954 É Proibido Beijar
1957 Rebelião em Vila Rica
1959 O Preço da Vitória
1960 Dona Violante Miranda
1961 Virou Bagunça
1963 The Dead at the Phone
1966 The Devil in Old Town
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.