A work in constant progress (and occasional regress).
Alias:
Sergei Ursulyak
Сергей Урсуляк
Birthplace:
Petropavlovsk-Kamchatsky, USSR (Russia)
Born:
June 10, 1958
Sergei Vladimirovich Ursuliak (Russian: Серге́й Влади́мирович Урсуля́к; born 10 June 1958; Petropavlovsk-Kamchatsky) is a Russian film director and screenwriter. He is known for the films Composition for Victory Day (1996) and Long Farewell (2004), and the TV series Liquidation. He has won several awards, including Nika Awards and the State Prize of the Russian Federation.
Director:
1993 Russian Ragtime
1995 Summerfolk
1997 Notes from the Dead House
1999 An Essay on Victory Day
2004 Long Farewell
2019 Odessa Steamboat
2023 Tzadik
2026 Ничего не бойся, я с тобой
Producer:
1993 Russian Ragtime
1995 Summerfolk
1997 Notes from the Dead House
1999 An Essay on Victory Day
2004 Long Farewell
2019 Odessa Steamboat
2023 Fog
2023 Tzadik
2026 Ничего не бойся, я с тобой
Screenplay:
1993 Russian Ragtime
1995 Summerfolk
1997 Notes from the Dead House
1999 An Essay on Victory Day
2004 Long Farewell
2019 Odessa Steamboat
2023 Fog
2023 Tzadik
2026 Ничего не бойся, я с тобой
Writer:
1993 Russian Ragtime
1995 Summerfolk
1997 Notes from the Dead House
1999 An Essay on Victory Day
2004 Long Farewell
2019 Odessa Steamboat
2023 Fog
2023 Tzadik
2026 Ничего не бойся, я с тобой
Creator:
2002 The Murder of Roger Ackroyd
2007 Liquidation
2012 Life and Fate
2015 And Quiet Flows the Don
2018 Bad Weather
Director:
1999 President of All Russia
2002 The Murder of Roger Ackroyd
2007 Liquidation
2009 Isayev
2010 Konstantin Raikin. One on One with the Audience
2012 Life and Fate
2015 And Quiet Flows the Don
2018 Bad Weather
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.