A work in constant progress (and occasional regress).
SYD X. PORTER (Director/Writer) grew up just outside the cities of North Carolina, raised by her Malaysian mother and American father. A lifelong horror fanatic, and a lover of her home state, she went to pursue a BFA for Film Production at UNCSA, and just recently graduated in May of 2025. Through her education, she has been a part of over 40 productions within NC, including 2 feature length films. After being a Creative Development Intern at Valhalla Entertainment in Los Angeles this past summer, Syd realized that her heart belongs to the American South and independent film. She has already begun her journey with creating in NC, as a recipient of the 2023 Cucalorus ‘Filmed in NC Grant’ for a separate Appalachian Folk Horror film. Now a post-grad, Syd is staying within the state, working for the NC Film Partnership and focusing on bringing independent filmmaking back to her childhood home.
Director:
2022 Grustle
Driver:
2022 Grustle
2024 Pucks in Deep
2024 Vanishing Point
2025 Auras (The After Party)
Location Manager:
2022 Grustle
2024 Pucks in Deep
2024 Vanishing Point
2025 Auras (The After Party)
Post Production Supervisor:
2022 Grustle
2024 Pucks in Deep
2024 Vanishing Point
2025 Auras (The After Party)
Producer:
2022 Grustle
2023 The Lobster Shift
2024 Pucks in Deep
2024 Vanishing Point
2025 Auras (The After Party)
2025 Braid Crowns
2025 Hypnagogia
2025 Sick & Twisted
2026 The Bootstrap Paradox
Writer:
2022 Grustle
2023 The Lobster Shift
2024 Pucks in Deep
2024 Vanishing Point
2025 Auras (The After Party)
2025 Braid Crowns
2025 Hypnagogia
2025 Sick & Twisted
2026 The Bootstrap Paradox
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.