Hari Sharma (b. 2005)

Birthplace:
Manchester, England, United Kingdom

Born:
January 17, 2005

Hari Sharma is an emerging writer from the United Kingdom, who, at just 19 years old, is already making waves with a distinctive voice and fresh perspective. Known for crafting compelling narratives and richly developed characters, Hari's work spans a variety of genres, demonstrating both a maturity beyond their years and an innovative approach to traditional storytelling.  Hari's passion for writing began at a young age, driven by a love for storytelling and a vivid imagination. Despite their youth, they have built a remarkable portfolio that showcases their talent and versatility. Among their notable works are "Deadlock" (2023), "El Cerebro" (2022), and the forthcoming "Abyss" (2024).  "Deadlock," an indie action thriller, highlights Hari's ability to create intense, gripping narratives that captivate audiences. In contrast, "El Cerebro," a parody of the iconic show "Breaking Bad," demonstrates Hari's talent for humour and satire, offering a fresh and entertaining twist on the beloved series. The highly anticipated "Abyss," set for release in 2024, promises to further establish Hari as a creative force to be reckoned with.  Hari's writing often explores complex human emotions and societal issues, blending contemporary themes with timeless storytelling techniques. This unique approach has earned them a growing reputation as a promising new voice in the literary and entertainment worlds.  Currently, Hari is dedicated to honing their craft and is actively seeking opportunities to break into the industry. They continue to push the boundaries of their writing, always striving to learn and grow as an artist. With a bright future ahead, Hari is poised to make a lasting impact on the literary and entertainment landscapes.

Additional information:

The Search Form


Executive Producer:
2024  Abyss

Script Supervisor:
2024  Abyss

Writer:
2024  Abyss

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.