A work in constant progress (and occasional regress).
Birthplace:
Kenosha, Wisconsin, USA
Born:
December 30, 1945
Character actress Concetta Tomei was born on December 30, 1945, and raised in her hometown of Kenosha, Wisconsin, the only child of a policeman who was a talented artist on the sly. She came from a long line of educators and was likely drawn to that career at an influential age. She attended the University of Wisconsin at Madison, where she earned a Bachelor of Science degree in education. After teaching school in a Milwaukee suburb for four years, however, she abruptly quit to pursue her acting dream. She became a student of the famed Goodman School of Drama in Chicago where she received a another degree, a Bachelor of Fine Arts, in theater arts. She started her professional career on the stock and repertory stages and gathered a formidable list of early credits appearing in such plays as "A Streetcar Named Desire, "Candida," "Blithe Spirit" and "The Corn Is Green." She made her debut on Broadway replacing Carole Shelley in "The Elephant Man" playing the actress/grande dame Mrs. Kendal. She continued in her role when a subsequent tour went out starring David Bowie. Seeking on-camera experience, she moved out West in the 1980s and found plentiful work on TV with her all-controlling, severe-looking femmes, which culminated in the critically acclaimed Vietnam War drama China Beach (1988) in which she played a hard-as-nails major. She continued with a host of guest parts on "L.A. Law," "Murphy Brown," "Picket Fences" and "Wings," among many others. Not readily known for her film work, she has nevertheless offered occasional arch support (since 1991) in such pictures as Don't Tell Mom the Babysitter's Dead (1991), Twenty Bucks (1993), Out to Sea (1997) Deep Impact (1998), The Muse (1999) and View from the Top (2003). Another regular series TV role came with Providence (1999), in which she played a chain-smoking mom.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.