A work in constant progress (and occasional regress).
Birthplace:
Jerez, Zacatecas, Mexico
Born:
November 17, 1936
José Carlos Ruiz (born November 17th, 1936) is a Mexican film and television actor, born in the City of Jerez, Zacatecas, Mexico. His first film intervention is in the film Black Wind, which deals with a tragedy that occurred in the Altar Desert, in Sonora, Mexico, where he acted alongside David Reynoso, Fernando Luján, etc. filmed in 1965. Later (1966) he filmed The Scapular, a prestigious film in which he acted alongside Enrique Lizalde, Ofelia Guilmáin, Alicia Bonet, Carlos Cardán and the late Enrique Aguilar, among other actors. It appears in the historical recreation of a tragic episode that happened in the Republic of Chile, in the tape, Actas de Marusia, which narrates the drama of a bloody crushing of a mining strike in that country. The film is important for the prominent actors who participate in it: Alejandro Parodi, Diana Bracho, Patricia Reyes Spíndola, Eduardo López Rojas, Salvador Sánchez, Gian María Volanté, among others, but also, by the then very recent military coup led by the General Augusto Pinochet Ugarte. In 1976, he appeared in El Apando, a film in which he played a drug addict locked up in the Black Palace or Lecumberri Prison, which is the complaint made by the political express and now disappeared José Revueltas regarding the Mexican prison system, seen from his confinement as a prisoner of conscience in that prison. Under the Shrapnel is a film filmed in 1983, which deals with the issue of the Guerrilla and where this actor plays an infiltrator who finally turns out to be a police officer; Two years later he would film Massacre in the Tula River, where he plays a Colombian guerrilla and trafficker, and which refers to a real-life case that happened in Mexico City, allegedly victimized by police officers.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.