A work in constant progress (and occasional regress).
Alias:
Julius Jacob Kleimenhagen
Julius Kleimenhagen
Birthplace:
Hamburg, Germany
Born:
January 1, 1884
Died:
January 31, 1940
From Wikipedia, the free encyclopedia Julius Hagen (1884–1940) was a German-born British film producer who produced more than a hundred films in Britain. Hagen originally worked as a salesman for Ruffels Pictures. He then worked his way up to become a production manager in the British silent film industry before becoming an independent producer in 1927. From 1928 he took control of Twickenham Studios and became one of the most prolific and successful producers of Quota quickies. He later switched to making more prestigious films, but in 1937 he was forced into bankruptcy and lost control of Twickenham. Hagen also directed two films.
Director:
1928 The Passing of Mr. Quinn
Presenter:
1928 The Passing of Mr. Quinn
1934 The Black Abbot
1935 The Ace of Spades
Producer:
1927 The Fake
1928 Further Adventures of the Flag Lieutenant
1928 The Passing of Mr. Quinn
1929 The Feather
1929 To What Red Hell
1930 At the Villa Rose
1930 Lord Richard in the Pantry
1930 The Call of the Sea
1930 The House of the Arrow
1931 Alibi
1931 Bill's Legacy
1931 Black Coffee
1931 Brown Sugar
1931 Chin Chin Chinaman
1931 Rodney Steps In
1931 Splinters in the Navy
1931 The Lyons Mail
1931 The Other Mrs. Phipps
1931 The Rosary
1931 The Sleeping Cardinal
1932 A Safe Proposition
1932 A Tight Corner
1932 Condemned to Death
1932 Frail Women
1932 In a Monastery Garden
1932 Murder at Covent Garden
1932 Once bitten
1932 The Chinese Puzzle
1932 The Crooked Lady
1932 The Face at the Window
1932 The Lodger
1932 The Marriage Bond
1932 The Missing Rembrandt
1932 The World, the Flesh and the Devil
1932 When London Sleeps
1933 A Shot in the Dark
1933 Called Back
1933 Excess Baggage
1933 His Grace Gives Notice
1933 Hundred to One
1933 I Lived with You
1933 Mannequin
1933 Puppets of Fate
1933 The Lost Chord
1933 The Medicine Man
1933 The Shadow
1933 The Wandering Jew
1933 This Week of Grace
1934 Anything Might Happen
1934 Bella Donna
1934 Flood Tide
1934 Kentucky Minstrels
1934 Lord Edgware Dies
1934 Open All Night
1934 Say It with Flowers
1934 The Admiral's Secret
1934 The Black Abbot
1934 The Broken Melody
1934 The Lash
1934 The Man Who Changed His Name
1934 Whispering Tongues
1935 A Fire Has Been Arranged
1935 Annie, Leave the Room!
1935 Blind Justice
1935 Death on the Set
1935 Department Store
1935 D’Ye Ken John Peel?
1935 Inside the Room
1935 Scrooge
1935 The Ace of Spades
1935 The Last Journey
1935 The Triumph of Sherlock Holmes
1935 Three Witnesses
1935 Vintage Wine
1936 Broken Blossoms
1936 Dusty Ermine
1936 Eliza Comes to Stay
1936 In the Soup
1936 Juggernaut
1936 The Man in the Mirror
1937 Death Croons the Blues
1937 The Vicar of Bray
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.