A work in constant progress (and occasional regress).
Birthplace:
Uberaba, Minas Gerais, Brazil
Born:
August 21, 2002
Outonno Selva is a graduating filmmaker based in Cachoeira and currently an exchange student at Carinthia University of Applied Sciences (CUAS) in Austria, Outonno hails from Uberaba, Minas Gerais. They explore audiovisual experimentation, focusing on creating new narrative possibilities and abstract formats. Currently pursuing a degree in Cinema and Audiovisual Studies at UFRB, where they are part of the Group for Photographic Analysis and Practices, Outonno researches themes such as identity, memory, and social transformation. Their notable works include Angústia (2022), Cavar Silêncios (2022), Gente em 3 Atos (2023), Gente Boa (2024), Em Torno do Barro (2024), Por Nós, um Ensaio (2024), and the recent Segredos, Choros, Saudades e Negronis (2024), which have been showcased in festivals, national exhibitions, and the Biennial of Coimbra. Their body of work is driven by the deconstruction of colonial conventions, integrating elements of Cuirbeirinho culture with a disruptive perspective.
Assistant Camera:
2023 Amarela
Cinematography:
2023 Amarela
2024 Anguish
2024 for us, an essay
Director:
2023 Amarela
2024 Anguish
2024 for us, an essay
Director of Photography:
2023 Amarela
2024 Anguish
2024 for us, an essay
Editor:
2023 Amarela
2024 Anguish
2024 for us, an essay
Producer:
2023 Amarela
2024 Anguish
2024 for us, an essay
Sound Designer:
2023 Amarela
2024 Anguish
2024 for us, an essay
Writer:
2023 Amarela
2024 Anguish
2024 for us, an essay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.