Kamel Hamadi (b. 1936)

Alias:
Larbi Zeggane
كامل حمادي
ⵍⵄⴻⵔⴱⵉ ⵥⴻⴳⴳⴰⵏ

Birthplace:
Aït Daoud, Algeria

Born:
December 22, 1936

Kamel Hamadi, real name Larbi Zeggane (in Arabic: كامل حمادي‎, in Amazigh: ⵍⵄⴻⵔⴱⵉ ⵥⴻⴳⴳⴰⵏ), born December 22, 1936 in Aït Daoud, Wilaya of Tizi Ouzou, in Algeria, is a singer-songwriter in Kabyle and Algerian Arabic. During his career, he signed a total of 2000 titles. He is the husband of the Algerian singer Noura.  Kamel Hamadi attended school until he obtained his primary school certificate in 1950. He then became a tailor, like his father Saïd Zeggane, at the age of 14. In 1953, he moved to Algiers, with another uncle, and it was there that he showed his writing talents for the first time to the singer Arab Ouzellag. He encouraged him in this direction, then thanks to Saïd Rezoug who opened the doors of radio to him a year later. With him, he will present the show Lesrar N Ddunit (Secrets of Life) dedicated to the discovery of young talents. It was during a number on this show that he met Mohamed Hadj El Anka in 1957, who asked him to write him a song talking about the father-son relationship, after having listened to him declaiming one of his poems; he then wrote to him A mmi εzizen (Dear son), later performed by the master of Chaâbi.  The young Larbi then decided to devote himself solely to singing. He will choose his stage name from two names of Egyptian stars that he likes: Imad Hamadi and Kamel Chenaoui, this is how Kamel Hamadi's artistic career was born.  Around 1958, having had his first successes on the radio, Kamel Hamadi released his first songs at the age of 21, with Tepaz, among which: Yid-m Yid-m (just with you), which will meet a great success. On February 25, 1960, he married the singer Noura, for whom he composed a large part of his repertoire in Arabic and Kabyle. Noura had already made herself known with titles such as Ya ma goulili by Mahboub Bati, the first compositions that her husband signed being Ya welfi âlech del djfa and Ya ouled el houma (children of the neighborhood). They will also sing as a duo, in Kabyle, titles that have remained popular like ruḥ Rebbi ad isahel (go in peace!), Anwa i s-yennan (who would have said).  Back in Algeria, during the 1960s and 70s, he reconnected with the Algerian Kabyle radio channel II and accompanied several young Kabyle singers of the time, composing songs for them in different styles, including Aït Menguellet, Atmani , Slimani, Salah Saadaoui, Mouloud Habib and Aït Meslayene. What he will continue to do with other singers of a new generation like Karima. In Kabyle, he will collaborate with Hnifa, Abdelkader Chaou, Boudjemaâ El Ankis, Djamel Allam, among others. In Arabic, among the singers for whom Kamel Hamadi has written or composed, we can cite: Noura, Fadhéla Dziria, Khaled, Cheb Mami, El Houari, Djahida, Malika Medah, Zoulikha, Khadidja El Annabia, Dhekra Mohamed, Ismaïl Ahmed.  In July 2009, he was decorated in Paris with the Cross of the Legion of Honor, a medal given to him by the former French Minister of Culture Jacques Toubon, in recognition of his great contribution to culture as an author. or composer of 2,000 works. In 2010, the director Abderrazak Larbi-Chérif dedicated a documentary portrait to him (Kamel Hamadi Ger Yenzizen, 2010, 63 minutes).

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.