Liz Marshall

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Working with diverse teams and communities, funders and influencers, Canadian filmmaker Liz Marshall has written, directed, produced and filmed multiple impactful documentary projects around the globe since the 1990s. Motivated by the transformative language of film and television, her award-winning work is exhibited and reviewed widely. Born and raised in Toronto, Liz is a settler of mixed European descent grateful to be living and working by the sea in Gibsons, British Columbia, the unceded homelands of the shíshálh and sḵwx̱wú7mesh Peoples. Dedicated to truth seeking, bridge building, and to making visible that which is hidden, Liz’s feature-length work includes Meat the Future (2020) Midian Farm (2018) The Ghosts in Our Machine (2013) Water on the Table (2010.)

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Director:
2023  s-yéwyáw: Awaken

Director of Photography:
2023  s-yéwyáw: Awaken

Executive Producer:
2023  s-yéwyáw: Awaken

Producer:
2023  s-yéwyáw: Awaken

Writer:
2023  s-yéwyáw: Awaken

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.