A work in constant progress (and occasional regress).
Birthplace:
Maâtkas, Algeria
Born:
March 29, 1970
Abderrazak Larbi-Cherif, born in 1970 in Algeria in Greater Kabylia, is an Algerian journalist and director. After a degree in journalism at the University of Algiers, he worked as a journalist and reporter on Channel II of National Radio in 1992, then deputy editor-in-chief at the Kabyle channel of Algerian television. Then in 2001 he left for France to follow training at the international school of audiovisual creation and production (EICAR). He worked at Berbère Télévision before joining Beur FM where he directed a program as well as the television channel Beur TV where he made small independent productions and productions. He is also editor-in-chief of the Arabic editorial team of France 24. In 2010, based on an idea from Mohamed Berkani (producer of the film), he made his third documentary film, Kamel Hamadi, Ger Yenzizen. This film is one of the 12 films selected to participate in the competition of the 10th edition of the annual Amazigh film festival (Tizi Ouzou, Algeria, 2010). He received the Golden Olivier for best documentary. His fourth documentary is a portrait of the poet Tahar Djaout (1954-1993): Tahar Djaout, Amedyaz ur yettmattat (Tahar Djaout, can a poet die?) in 2011. His two previous documentaries (lasting 26 minutes) focus on crafts in the Maâtkas region (about pottery), as well as on the crafts of Ath Yenni (around jewelry). They were broadcast on the Algerian television channel in Kabyle and Arabic versions, or even in French version for the one on the crafts of Ath Yenni. In 2015, he released the documentary film "Cheikh El-Hasnaoui, From the White House to the Blue Ocean", dedicated to the life and artistic work of Cheikh El-Hasnaoui in collaboration with his colleague Meziane Ourad.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.