A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
With a team boasting over 15 years of experience in music production, recording, composition, and scoring, LOISHKA has developed a diverse portfolio of projects. Their main focus lies in the audiovisual world, including series, documentaries, films, artist productions, and live shows. Their client list includes major players in the industry such as Disney+, Universal Studios Japan, Netflix, Non Stop Media, BTF Media Mexico, Media Pro Colombia, Warner, Prime Video, and Film&Arts, among others. Among their recent projects as full music producers are “Breaking Tango” for Film&Arts (2020), “Jump, Dance, Surprise” for Universal Studios China and Japan (2021), “Siempre fui yo,” “Papás por encargo,” “Tierra incógnita,” and “La música está servida” for Disney+ (2022–2023). For Netflix, they worked on the documentary “Natalia Oreiro: Nasha Natasha” (2020) and the series “Cielo Grande S1” and “Cielo Grande S2” (2022–2023). They also produced the film “Doble discurso” for Amazon Prime (2023) and “Nahir” (2024). Additionally, they created the Christmas show “Electric Frosty Snow Party” for Universal Studios Osaka (2023 and 2024). They are currently in production on the film “Papá x 2,” also for Amazon Prime, “Playback” for Disney+, and a true crime documentary for HBO, which will premiere in 2025. They are also working on the music production for the series “NOA,” an exciting co-production between Argentina and Israel.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.