A work in constant progress (and occasional regress).
Birthplace:
Kampala, Uganda
Born:
April 30, 2010
Sseruwagi Sinclaire Sebastian is a talented individual from Uganda who has made significant contributions in the fields of animation, composition, and editing. Having joined the Walt Disney Company as a full-time employee in 2014, he has been an integral part of the Disney Production team, working on various Disney sequels. While pursuing his studies at the Lubiri Secondary School in Uganda, Sseruwagi also boasts qualifications in Junior Computer courses and holds a Certification in Computer Science and Information Technology. Beyond his academic pursuits, Sseruwagi is a gifted composer with a notable presence on platforms like Spotify, where his symphonies, including the Nosiata Symphony and Steinbury Symphony No. 9, have garnered attention. His musical talents extend to the world of cinema, where he has contributed to the composition of scores and songs in films such as Beauty and the Beast, Cinderella 2015, and Mary Poppins Returns, and his most recent film is Wonka, although he has remained uncredited for his work for many years. As he celebrates a decade of dedicated service at the Walt Disney Company, Sseruwagi's multifaceted skills and creative endeavours continue to inspire and enrich the world of animation and music.
Animation:
2024 Moana 2
Music:
2023 Disney 100: A Century of Dreams - A Special Edition of 20/20
2024 Moana 2
Writer:
2023 Disney 100: A Century of Dreams - A Special Edition of 20/20
2024 Moana 2
2027 Whitney Harrison
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.