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Carl Drews

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Film Production

Camera Operator:
1932  The Ladies Diplomat
1939  Paradies der Junggesellen

Cinematography:
1922  Lucrezia Borgia
1927  Die Hose
1928  Yacht of the Seven Sins
1930  Oh Those Glorious Old Student Days
1932  Chauffeur Antoinette
1932  The Ladies Diplomat
1933  Der Traum vom Rhein
1933  Unter der schwarzen Sturmfahne
1934  So ein Flegel
1936  The Last Waltz
1939  Paradies der Junggesellen

Director of Photography:
1920  Der Galante König
1921  Der ewige Kampf
1921  Roswolsky's Mistress
1922  Im Kampf mit dem unsichtbaren Feind
1922  Lucrezia Borgia
1923  He Who Covets
1925  Der Farmer aus Texas
1925  The Chronicles of the Gray House
1926  Die geschiedene Frau
1926  The House of Lies
1927  Das Mädchen aus der Fremde
1927  Die Hose
1928  Die Dame mit der Maske
1928  Moral
1928  Yacht of the Seven Sins
1929  Her Dark Spot
1929  I Kiss Your Hand, Madame
1930  Oh Those Glorious Old Student Days
1931  A Waltz by Strauss
1931  A sweet secret
1931  Help! Raid!
1931  The Love Express
1932  Chauffeur Antoinette
1932  Gilgi: One of Us
1932  Kitty Cheats Her Way to Happiness
1932  The Ladies Diplomat
1932  The Mad Bomberg
1932  Trenck - Der Roman einer großen Liebe
1933  Der Traum vom Rhein
1933  Mädels von heute
1933  Unter der schwarzen Sturmfahne
1934  Charley's Aunt
1934  Heinz in the Moon
1934  So ein Flegel
1935  Pillars of Society
1936  Annemarie. Die Geschichte einer jungen Liebe
1936  The Last Waltz
1939  Der Polizeifunk meldet
1939  Paradies der Junggesellen
1940  Request Concert

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.