A work in constant progress (and occasional regress).
Born:
May 20, 2000
Hayden McKee is a director and animator from Oklahoma. His works primarily focus on monsters with short films such as Eye Socket (2024) and Fatigue (2022).
Additional Photography:
2024 Breaking Champions
2024 The Record
Animation:
2023 Fatigue
2023 It Lives!
2024 Breaking Champions
2024 The Record
Assistant Camera:
2023 Fatigue
2023 It Lives!
2024 Breaking Champions
2024 The Record
BTS Photographer:
2023 Fatigue
2023 It Lives!
2024 Breaking Champions
2024 Standoffish
2024 The Record
Director:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Editor:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Producer:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Second Assistant Camera:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Special Effects:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Writer:
2021 The Kevin and Jesse Expedition: A Bum’s Journey
2022 Sloth
2023 Fatigue
2023 It Lives!
2023 Skinwalker Wilderness Preservation
2024 Breaking Champions
2024 Eye Socket
2024 Standoffish
2024 The Record
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.