A work in constant progress (and occasional regress).
Birthplace:
Esine
Born:
February 1, 2000
Distribution Manager and producer, graduated from La sapienza University of Rome in the arts and sciences of the performing arts with a thesis on gender theories related to cinema, continues her studies following a multidisciplinary course on sustainability sciences, Improving her knowledge as a green supervisor. She then graduated in writing and productions with a thesis on the international distribution of Italian films. For years she has been studying the world of film festivals with a particular focus on juries and awards. Her knowledge in production and distribution led her to collaborate with an Italian production company for more than a year, where she took care of festival distribution and production supervision. In 2023 she is chosen as juror of the young professionals' jury of the 59th edition of the Pesaro film Festival and in the same year she began her collaboration with several international production companies, playing the role of expert in international promotion, in particular she is a contributor to the Oscar campaign for the short film The Golden Cage, which is running for nomination for Live action Short Film during 96th edition of the Academy Awards. Since 2024 she has been the distribution manager for Q. Animation Films, an Italian production company linked to animation and for All The Ways Entertainment, a Dutch production company. As a freelance she also works as producer and promotion consultant for several national and international companies.
Consulting Producer:
2024 1924 - The Kakori Project
Producer:
2024 1924 - The Kakori Project
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Production Consultant:
2022 I Am a Father
2023 DROP
2023 The Golden Cage
2024 1924 - The Kakori Project
2024 Living Art
2024 M-ARGINI
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.