Oriol Cardús

Birthplace:
Barcelona, Barcelona, Catalonia, Spain

Oriol Cardús (Barcelona, 1980), Graduated from ESCAC, is a Film and TV Commercials writer/director. He started directing TV commercials and writing/directing short fiction films in 2006.  Oriol Cardús is the writer/director of 600$ (shortfilm, 2015), The Producer (Shortfilm, 2022), Emerson (Webseries, 2012-2013) and Entre Mareas (Documentary, in post-production). He is also currently working as a writer/developer of several Fiction TV shows for Grupo Ganga (Spanish Production company based in Madrid) and in preproduction of his new short film Cookies.  His works have been selected in 100+ international film festivals and received 10+ awards in several categories (including best short film, best thriller and best director)

Additional information:

The Search Form


Camera Operator:
????  Entre Mareas

Director:
2015  600$
2022  The producer
????  Entre Mareas

Executive Producer:
2015  600$
2022  The producer
????  Entre Mareas
????  Prou Bé

Producer:
2015  600$
2022  The producer
2024  Adrià
????  Entre Mareas
????  Prou Bé
????  Sal & Dean

Writer:
2015  600$
2022  The producer
2024  Adrià
????  Entre Mareas
????  Prou Bé
????  Sal & Dean

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.