A work in constant progress (and occasional regress).
Ananya Arora is a 22-year-old Delhi-based visual researcher and documentary filmmaker. With experience ranging from being a junior producer for a National Geographic show to being nominated in competition for the Film South Asia Film Festival hosted in Kathmandu, Nepal, Ananya’s roots lie in multimedia visual arts and experimentation. With their debut short documentary Khaane Ki Tasveer, which developed as a graduation project for their degree in filmmaking and management, the team managed to secure selections in over six national and international film festivals as well as limited distribution for an Australian streaming service. Working as a freelance photographer, videographer, and editor, Ananya also writes a weekly newsletter reviewing films and their musings about world cinema. They also attended the FTII Winter Film Appreciation course to strengthen their writing and broaden their learning about film theory in an academic sense. With an unabashed ardor for nonfiction filmmaking and an enthusiastic interest in film journalism, Ananya released their latest project, a documentary they co-directed, "Sheher Ke Under," which focuses on the conversations around independent culture in Delhi. Ananya is currently pursuing their master's in global films on a full scholarship from Newcastle University, UK.
Director:
2025 Sheher Ke Under
???? Portrait of Food
Director of Photography:
2023 Whose Party Is It, Anyway?
2025 Sheher Ke Under
???? Portrait of Food
Editor:
2023 Whose Party Is It, Anyway?
2025 Sheher Ke Under
???? Portrait of Food
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.