A work in constant progress (and occasional regress).
Birthplace:
Florida
Born:
October 7, 2000
Vance discovered that they wanted to be a filmmaker while majoring in epidemiology in undergrad. Instead of watching germs, they spent their time watching movies. After discovering where their true passions were, they changed majors and have been making short films ever since. Vance wants to tell cutting-edge stories while steeping their style in Old Hollywood filmmaking techniques. In their free time, they play bar trivia and drive around Florida aimlessly.
Director:
2023 Do You See What I See?
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
Director of Photography:
2023 Do You See What I See?
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
Editor:
2023 Do You See What I See?
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
First Assistant Director:
2023 Do You See What I See?
2024 Jummah
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
Producer:
2023 Do You See What I See?
2024 Jummah
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
???? Get Wrong, Get Right!
Production Assistant:
2023 Do You See What I See?
2024 Damned
2024 Jummah
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
???? Get Wrong, Get Right!
Writer:
2023 Do You See What I See?
2024 Damned
2024 Jummah
2024 The Night Has 1000 Desires!
2024 The Ruby Tuesday Smashburger Review
???? Get Wrong, Get Right!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.