A work in constant progress (and occasional regress).
Colorist:
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2024 To Be Destroyed
Digital Intermediate Editor:
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 To Be Destroyed
Director:
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 To Be Destroyed
Editor:
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 To Be Destroyed
Online Editor:
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2010 Casino Jack and the United States of Money
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 To Be Destroyed
Post Producer:
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2010 Casino Jack and the United States of Money
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 To Be Destroyed
Post Production Consulting:
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2010 Casino Jack and the United States of Money
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2024 Maya and the Wave
2024 To Be Destroyed
Producer:
2006 Once in a Lifetime: The Extraordinary Story of the New York Cosmos
2010 Casino Jack and the United States of Money
2011 Unfinished Spaces
2015 Bruce Springsteen & The E Street Band - The River Tour, Tempe 1980
2016 Project X
2022 Art & Krimes by Krimes
2024 Maya and the Wave
2024 To Be Destroyed
Post Production Supervisor:
2024 In Restless Dreams: The Music of Paul Simon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.