A work in constant progress (and occasional regress).
Birthplace:
Canada
Rachel Pevsner is a Toronto-based filmmaker recognized for her work in directing, animation, writing, and score composition. Her notable projects include "The Casting Call"—which was screened at the TIFF Next Wave: Young Creators Showcase—"For the Love of Jazz", and "Watch(ing)", with several more currently in development. Rachel’s work often explores themes of love, nostalgia, and the intersection between reality and surrealism, blending fantastical elements with grounded emotional storytelling. Passionate about her craft, she is dedicated to refining her skills and advancing her career in professional filmmaking.
Animation:
2024 For the Love of Jazz
Assistant Director:
2024 For the Love of Jazz
???? When Eddie Came Home
Cinematography:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? When Eddie Came Home
Director:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? When Eddie Came Home
Director of Photography:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
Editor:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
Gaffer:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Music:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Producer:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Production Design:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Sound Designer:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Writer:
2022 Ghost Story - A Rachel Pevsner Short Film
2024 For the Love of Jazz
2024 Shooting Star
2024 Watch(ing)
2025 Somebody
???? The Casting Call
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.