Nick Kastanis

Alias:
Nicholas Kastanis

Birthplace:
Ajax, Ontario, Canada

Nick Kastanis is a Canadian photographer, director, screenwriter and producer. His notable works include the 70s teen drama “Goose Spit”, the war drama “From Back Home” and the experimental horror “Why Are You Afraid of the Dark?”. He currently has several projects in development where he will serve as director, writer and producer. Dedicated to the craft, Nick Kastanis strives to continue to create and develop film projects with his company March Break Forever, and advance his career on a professional level. In the fall of 2020, he won the award of "Best Director" at the Pickering 5 Minute Film Fest for his short film "Love, Steve".

Additional information:

The Search Form


Assistant Camera:
????  Waking David

Assistant Director:
2020  Table for Two
????  Waking David

Associate Producer:
2020  Table for Two
2022  Goose Spit
????  Waking David

BTS Photographer:
2020  Table for Two
2022  Goose Spit
2025  Wrestling With Life
????  Waking David

Cinematography:
2020  Table for Two
2022  Goose Spit
2025  Wrestling With Life
????  Waking David
????  White Noise, Black Girl

Director:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Wrestling With Life
????  The Sunsets in the West
????  Waking David
????  White Noise, Black Girl

Director of Photography:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Wrestling With Life
????  The Sunsets in the West
????  Waking David
????  White Noise, Black Girl

Editor:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Wrestling With Life
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

First Assistant Director:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

Key Grip:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  Buzzed
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

Line Producer:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  Buzzed
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

Producer:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  Buzzed
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

Story:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  Buzzed
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

Writer:
2020  Table for Two
2022  Goose Spit
2024  From Back Home
2024  This House
2024  Unpublished
2024  Why Are You Afraid of the Dark?
2025  Overture
2025  Wrestling With Life
????  Buzzed
????  The Sunsets in the West
????  Waking David
????  When Eddie Came Home
????  White Noise, Black Girl

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.