A work in constant progress (and occasional regress).
Alias:
Nicholas Kastanis
Birthplace:
Ajax, Ontario, Canada
Nick Kastanis is a Canadian photographer, director, screenwriter and producer. His notable works include the 70s teen drama “Goose Spit”, the war drama “From Back Home” and the experimental horror “Why Are You Afraid of the Dark?”. He currently has several projects in development where he will serve as director, writer and producer. Dedicated to the craft, Nick Kastanis strives to continue to create and develop film projects with his company March Break Forever, and advance his career on a professional level. In the fall of 2020, he won the award of "Best Director" at the Pickering 5 Minute Film Fest for his short film "Love, Steve".
Assistant Camera:
???? Waking David
Assistant Director:
2020 Table for Two
???? Waking David
Associate Producer:
2020 Table for Two
2022 Goose Spit
???? Waking David
BTS Photographer:
2020 Table for Two
2022 Goose Spit
2025 Wrestling With Life
???? Waking David
Cinematography:
2020 Table for Two
2022 Goose Spit
2025 Wrestling With Life
???? Waking David
???? White Noise, Black Girl
Director:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Wrestling With Life
???? The Sunsets in the West
???? Waking David
???? White Noise, Black Girl
Director of Photography:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Wrestling With Life
???? The Sunsets in the West
???? Waking David
???? White Noise, Black Girl
Editor:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Wrestling With Life
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
First Assistant Director:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Key Grip:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? Buzzed
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Line Producer:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? Buzzed
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Producer:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? Buzzed
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Story:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? Buzzed
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Writer:
2020 Table for Two
2022 Goose Spit
2024 From Back Home
2024 This House
2024 Unpublished
2024 Why Are You Afraid of the Dark?
2025 Overture
2025 Wrestling With Life
???? Buzzed
???? The Sunsets in the West
???? Waking David
???? When Eddie Came Home
???? White Noise, Black Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.