A work in constant progress (and occasional regress).
Camera Operator:
1966 A... For Assassin
1967 Catch As Catch Can
1972 It Can Be Done Amigo
1978 Le braghe del padrone
1978 Per vivere meglio, divertitevi con noi
1979 Ashanti
Cinematography:
1966 A... For Assassin
1967 Catch As Catch Can
1972 It Can Be Done Amigo
1973 Redneck
1974 Miracles Still Happen
1977 L'Italia in pigiama
1978 Le braghe del padrone
1978 Per vivere meglio, divertitevi con noi
1979 Ashanti
Director of Photography:
1966 A... For Assassin
1967 Catch As Catch Can
1967 Un colpo da Re
1968 Vienna
1969 In Search of Gregory
1969 The Merchant of Venice
1970 Mädchen, zur Liebe gezwungen
1971 Jailbreak in Hamburg
1971 London
1971 Ready, Willing and Able
1971 Swinging Wives
1971 The Resort Girls
1971 Web of Deception
1972 It Can Be Done Amigo
1972 My Horse, My Gun, Your Widow
1973 Redneck
1974 Miracles Still Happen
1977 L'Italia in pigiama
1978 Le braghe del padrone
1978 Per vivere meglio, divertitevi con noi
1979 Ashanti
1989 The Favorite
1992 Don Quixote
2020 Anna Rosenberg
Second Assistant Camera:
1962 Lo smemorato di Collegno
1962 The Four Monks
1966 A... For Assassin
1967 Catch As Catch Can
1967 Un colpo da Re
1968 Vienna
1969 In Search of Gregory
1969 The Merchant of Venice
1970 Mädchen, zur Liebe gezwungen
1971 Jailbreak in Hamburg
1971 London
1971 Ready, Willing and Able
1971 Swinging Wives
1971 The Resort Girls
1971 Web of Deception
1972 It Can Be Done Amigo
1972 My Horse, My Gun, Your Widow
1973 Redneck
1974 Miracles Still Happen
1977 L'Italia in pigiama
1978 Le braghe del padrone
1978 Per vivere meglio, divertitevi con noi
1979 Ashanti
1989 The Favorite
1992 Don Quixote
2020 Anna Rosenberg
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.