Sam Kellman

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Alias:
Sam F. Kellman

Birthplace:
Los Angeles, California, U.S

Sam Kellman is a filmmaker and immersive entertainment geek from Los Angeles. He's been making films ever since he picked up a pesky old tape camcorder at the age of four to shoot a cast of LEGO figures. Eventually he started using real actors, too. Over the course of high school (LACHSA, the #1 performing arts high school in the U.S.), Sam wrote, directed, and produced numerous shorts, some going on to win various awards and nominations at festivals, including Tribeca Festival, Moondance, WestFlix, NFFTY, Luminescence, Seattle International Film Festival, All American High School Film Festival, and more. Along with writing and directing projects, he is also an editor and visual effects artist, using those talents to further enhance his stories. In 2024, he graduated from Emerson College with a BA in Visual Media Arts.  Additionally, Sam has utilized his Halloween home haunt, The Opechee Haunt, as a way to showcase his passion for themed entertainment, and as a vehicle to grow as an immersive storyteller. He has been invited to create haunted attractions for the Hall of Shadows at the world’s largest Halloween and horror convention, Midsummer Scream (2017, 2018, 2019); has been featured on panels at both Midsummer Scream (Next Generation Haunters: A New Breed of Terror, 2018) and ScareLA (New Blood, 2015); and is profiled in SAGA Studios’ 2018 documentary, Epic Home Haunts (currently available on Amazon Prime Video). He also continues to exercise his immersive muscle with stand-alone immersive experiences unrelated to Halloween.  He launched his own independent production company, Inside the Box Productions, in 2020, already having collaborated with brands like Syfy, CBS, LEGO, and more. Inside the Box is not only creating film projects, but also immersive entertainment, like their critically acclaimed 2022 immersive theatre production, Within Our Walls, and 2023's immersive audio experience, SLEEPWALKR, which was featured at New York's 2023 Tribeca Festival.

Additional information:

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Director:
2024  You're Doing Great

Editor:
2024  You're Doing Great

Producer:
2024  You're Doing Great

Production Design:
2024  You're Doing Great

Sound Designer:
2024  You're Doing Great

VFX Artist:
2023  Lovebugs
2024  You're Doing Great

Visual Effects:
2023  Lovebugs
2024  O.C.D. (Obsessor Coercio Deus)
2024  You're Doing Great

Writer:
2023  Lovebugs
2024  O.C.D. (Obsessor Coercio Deus)
2024  You're Doing Great

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.