A work in constant progress (and occasional regress).
Birthplace:
Richmond, Kentucky, USA
Born:
March 30, 1990
Richard Mills Allen’s résumé reads like a road atlas. He hauled wheelbarrows at a truck yard in Montana, flipped burgers in a small Kentucky diner, and deciphered foreign dialects for the Navy in Monterey. In Georgia he sifted classified chatter for the NSA; back home he pulled night shifts as a volunteer firefighter. He chased protest lines for a metropolitan daily, filled quiet airwaves on rural radio, ghost-wrote for political campaigns, worked discreetly in funeral homes, and produced live video feeds when distance kept people apart. Between jobs he thumbed rides across the West—Vegas to Flagstaff, Denver to Butte, Albuquerque to Chicago—gathering stories the way others collect postcards. From Richmond to Paris, Augusta to Helena, his routes keep expanding. Now he writes screenplays: spare, candid, and stamped with every mile he’s traveled and every face he’s met.
Assistant Director:
2024 Rocky Top
2024 XEN
2025 Conversation One Night
2025 Vignettes
Executive Producer:
2024 II
2024 Rocky Top
2024 XEN
2025 Conversation One Night
2025 Vignettes
Sound:
2024 II
2024 Rocky Top
2024 The Interview: Or, Perceval and Lewis talk about employment.
2024 XEN
2025 Conversation One Night
2025 Vignettes
Story:
2024 II
2024 Rocky Top
2024 The Interview: Or, Perceval and Lewis talk about employment.
2024 XEN
2025 Conversation One Night
2025 Vignettes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.