A work in constant progress (and occasional regress).
Horatio Perry is an independent experimental filmmaker base out of Virginia.
Cinematography:
2023 Speculo
2024 A
2024 Barrenness
???? A Formal Explanation of the Experience of Witnessing "blue"
???? A Number of Dying Instruments
???? Abstractions of Light and Flowers into Atmospheres of Light
???? Animal Breathing
???? Burn Out Like a Dying Candle in the Cradle of my Arms
???? Carnival Pit
???? Creation Through That Which Was Created
???? Hypermania
???? Intermediate Steps Between Falsehoods
???? Mourning Film for a Preemptive Loss
???? Summer Eulogy
Director:
2023 Good Cop, Bad Mime
2023 Speculo
2024 A
2024 Arbor
2024 Barrenness
2024 Money 4 The Hunter
2024 Money For Jack
???? A Formal Explanation of the Experience of Witnessing "blue"
???? A Number of Dying Instruments
???? Abstractions of Light and Flowers into Atmospheres of Light
???? Altruism
???? Animal Breathing
???? Arbor
???? Burn Out Like a Dying Candle in the Cradle of my Arms
???? Carnival Pit
???? Creation Through That Which Was Created
???? Hypermania
???? Intermediate Steps Between Falsehoods
???? Mourning Film for a Preemptive Loss
???? Summer Eulogy
Editor:
2023 Good Cop, Bad Mime
2023 Speculo
2024 A
2024 Arbor
2024 Barrenness
2024 Money 4 The Hunter
2024 Money For Jack
???? A Formal Explanation of the Experience of Witnessing "blue"
???? A Number of Dying Instruments
???? Abstractions of Light and Flowers into Atmospheres of Light
???? Altruism
???? Animal Breathing
???? Arbor
???? Burn Out Like a Dying Candle in the Cradle of my Arms
???? Carnival Pit
???? Creation Through That Which Was Created
???? Hypermania
???? Intermediate Steps Between Falsehoods
???? Mourning Film for a Preemptive Loss
???? Summer Eulogy
Producer:
2023 Christmas Criminals
2023 Good Cop, Bad Mime
2023 Speculo
2024 A
2024 Arbor
2024 Barrenness
2024 Money 4 The Hunter
2024 Money For Jack
2024 Nixonitis
2024 Woodsman
???? A Formal Explanation of the Experience of Witnessing "blue"
???? A Number of Dying Instruments
???? Abstractions of Light and Flowers into Atmospheres of Light
???? Altruism
???? Animal Breathing
???? Arbor
???? Burn Out Like a Dying Candle in the Cradle of my Arms
???? Carnival Pit
???? Creation Through That Which Was Created
???? Hypermania
???? Intermediate Steps Between Falsehoods
???? Mourning Film for a Preemptive Loss
???? Summer Eulogy
Writer:
2023 Christmas Criminals
2023 Good Cop, Bad Mime
2023 Speculo
2024 A
2024 Arbor
2024 Barrenness
2024 Money 4 The Hunter
2024 Money For Jack
2024 Nixonitis
2024 Woodsman
???? A Formal Explanation of the Experience of Witnessing "blue"
???? A Number of Dying Instruments
???? Abstractions of Light and Flowers into Atmospheres of Light
???? Altruism
???? Animal Breathing
???? Arbor
???? Burn Out Like a Dying Candle in the Cradle of my Arms
???? Carnival Pit
???? Creation Through That Which Was Created
???? Hypermania
???? Intermediate Steps Between Falsehoods
???? Mourning Film for a Preemptive Loss
???? Summer Eulogy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.