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Nick Aucoin

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Alias:
KEA
Kirsten Aucoin

Birthplace:
Massachusetts, USA

Biography from TheMovieDB

Nick Aucoin has always been a storyteller. Born in Massachusetts, he would go on to discover a lifelong love for media of varied formats. He began acting at the age of four, engaging in community theater productions. His early childhood also brought about his first steps in writing and directing - from making short films with his friends to self-publishing his first book when he was nine years old.  Aucoin's passion for horror was sparked from his father showing him Jaws (1975) at a young age. This passion grew immensely in his teen years. At fourteen, he finished his first formally-made short film, in the form of a horror-comedy called Slumber Party of Panic. He would also publish his first piece of horror fiction as a teenager and began voice acting in 2019. Over the years, he has worked on a variety of projects as a screenwriter, director, actor, and producer.  In June of 2024, he took another step in the entertainment industry when he co-founded The Murder Associates Productions (a horror production company) with A Wheeler. Their first projects included the sapphic horror podcast, Carnivea: A Queer Gothic, and the short film, The Mare's Game.

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Additional information:

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Film Performances

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Film Production

Director:
2022  Read Through
2023  You Are What You Eat

Director of Photography:
2022  Read Through
2023  You Are What You Eat

Editor:
2022  Read Through
2023  You Are What You Eat

Writer:
2022  Read Through
2023  You Are What You Eat

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.