A work in constant progress (and occasional regress).
Alias:
Edie Williams
Birthplace:
Salt Lake City, Utah, U.S.
Born:
July 9, 1941
​From Wikipedia, the free encyclopedia Edwina Beth "Edy" Williams (born July 9, 1942) is an American television and film actress. She began her career as a model and beauty pageant contestant. After winning several local pageants, she was signed as a contract player by 20th Century Fox. Throughout the 1960s, Williams appeared in several television series and films including roles in The Beverly Hillbillies, The Twilight Zone, Batman, Adam-12, Lost in Space, The Naked Kiss, and the Sonny & Cher film, Good Times (1967). In 1970, she appeared as Ashley St. Ives in Russ Meyer's first mainstream film, Beyond the Valley of the Dolls, followed by his second, The Seven Minutes. Meyer and Williams married in 1970, shortly after the release of Beyond the Valley of the Dolls. In March 1973, she was photographed for Playboy in a full color photo spread by then-husband Russ Meyer. After her divorce from Meyer in 1977, Williams continued acting, mainly appearing in films, many of which involved nudity. In 1982, she appeared on an episode of The People's Court as a defendant in a case titled "The Star Who Wouldn't Pay". She was sued for payment for publicity work the plaintiff had done for her. She counter-sued for half of the retainer she'd paid him. After this, she was sporadically active in films during the 1980s and early 1990s. Since the 1970s, she has traditionally appeared at both the Academy Awards and the Cannes Film Festival in revealing and flamboyant outfits Description above from the Wikipedia article Edy Williams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.